Kristen Meyer’s Organic Circuitry

Kristen Meyer’s meticulously arranged mandalas of flowers, stems, seeds, and leaves are not just beautiful, they’re startlingly reminiscent of circuit boards, wiring schematics, and other artifacts of human technology.

This unexpected parallel between the organic and the engineered is what makes her work so compelling.

Meyer carefully trims and aligns every element: a red anemone blossom, a strip of moss, a sprig of lavender, a sliver of bark. Against a neutral background, these components are positioned with almost mathematical precision.

Straight stems become connectors, round blossoms echo resistors, and clusters of seeds resemble tiny soldered nodes. The repetition and symmetry recall the disciplined order of electrical diagrams, yet her materials remain unmistakably natural.

Circuit boards are about connection: pathways that allow signals to flow. Meyer’s mandalas mimic this visual language, in a lot of ways.

Stems extend like green wires, creating networks between flowers and geometric inserts of moss or wood.

The effect is one of flow, as though energy could pulse through her compositions, bridging from plant to plant, petal to petal.

Part of the fascination lies in the tension between medium and form. Flowers and plant matter are ephemeral, fragile, and subject to decay. Yet Meyer arranges them with the crispness of industrial design.

This tension heightens our awareness: she’s crafting circuitry out of living things, wiring diagrams out of petals and stems.

Her art is both delicate and deliberate, blurring the boundary between natural impermanence and engineered permanence.

See more of Meyer’s work on Instagram, where she shows a true skill not just with plant matter, but with visual arrangements of all types.

Images © Copyright Kristen Meyer. Used with artist’s permission.

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